In this documentary style the voice of the documentary is
one of the most popular ways to continue doing documentaries. The expository mode emphasizes the
impression of objectivity and a well supported perspective. This doesn’t mean that it won’t have a
voice in itself. Editing, Sound, and other matters will all influence still in
the film. As Nichols explained, “
The fact that documentaries are not a reproduction of reality gives them a voice
of their own. They are instead a representation of the world.” This means that
even an expository film will have a voice, or a style that would give a certain
message that the filmmaker wanted to remark, and not merely an exposition of
two ideas.
In the Manufacturing Consent
with Noam Chomsky the director doesn’t use a clear omniscient voice, but still
follows a certain exposition of ideas trough the character and the different
interviews he would give around the world. The director places each one of these
interviews in an order in which there is a progression of an idea. At the same
time there is a juxtaposition of images and information than can invalidate
Chomsky point of view. One example
is when he Chomsky talks about how important is the ability to communicate at a
regular basis to one another, and how this separates us to other animals, and
following that remark the director chooses to show how in the news broadcast
that chimpanzees might have the ability to communicate.
Then there is this comparison about having fail on communicating this little
chimpanzee “Nim Chimpsky.”
Another example of expository films in which a voice of authority
or voice of God was clearly highlight was in The Vampire, and the Love
life of the Octapus in which
the narrator plays a relevant place on the film. He guide us trough the images
to learn the information we need about this animals, the bat and the octopus.
Although, there is an exposition of information with a well supported
perspective. In the case of The Vampire, the filmmaker to prove a point mixes a
fiction film Nosferatus compared to
the Bat, to illustrate how similar
and scary this animal can be. The juxtaposition of these images are not forced,
and support what the narrator is explaining about this animal. In the other documentary, even so is still a believable voice of authority, the stylization of
Love life of the Octapus, wouldn’t
be completely objective. Music and the description of the animal would make us
think that this animal is not part of this world, but an alien. Still, as a
viewer I believe and follow the characteristics and the information that this
scholarly voice was explaining.
In short, the
voice of an expository film would
be one of the most believable voices in these different styles. Even though, it can’t be a completely
objective view of a topic, the well informed voice of God, or the pattern of presenting an argument
seems to have a great impact on the audience.
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